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Reco Reco - aluminium, 4 springs - Gope

Reco Reco - aluminium, 4 springs Gope A371202
Preview: Reco Reco - aluminium, 4 springs Video Video

Reco Reco - aluminium, 4 springs - Gope

Gope
Item number
A371202
weight (net):
0,58 kg

in stock

48,00 *

incl. VAT , plus shipping costs

in stock

Packaging unit is piece
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Total price: €72.00 *

RecoReco with 4 springs, aluminium Maybe you have already seen a Pagode group playing in... more

Reco Reco - aluminium, 4 springs - Gope

item number: A371202
material: aluminium
finish: glossy
springs: 4
weight (net): 0,58 kg
gtin13 7898202078155

RecoReco with 4 springs, aluminium

Maybe you have already seen a Pagode group playing in Rio, then you will probably remember the typical sound of the reco reco - dry, crisp, dirty and penetrating, a bit like a caixa with the volume turned down. The shell of this one is made of aluminium. Players often stick down the springs with some tape to muffle the sustain, or you can just use your thumb.

Crispy pagode companion!

Dimensions:
width: 10 cm
length: 31 cm
heigth: 11 cm


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GOPE is a family-run business from the area around São Paulo. Today the company is... more

"Gope"

gope-olodum

GOPE is a family-run business from the area around São Paulo. Today the company is being run in its third generation by the grand daughter of the firm´s founder.


The brand GOPE has been producing drums and smallpercussion instruments for over 50 years now. When the company was founded, there was already a small workshop in which drumsets were manufactured.

In 1962, the production of the typical Samba instruments began, iniciated by Humberto Rodella, the son of the founder. The company kept growing and after several relocations in São Paulo, GOPE finally found the right place for building a large production hall in Embu Guaçu, a suburb of São Paulo.

gope-expoSince then GOPE produces in Embu Guaçu everything from the Agogô to the Zabumba, a wide range of percussion instruments, and only recently also various wind instruments.

GOPE has always kept in close touch with the musicians. The ideas and proposals for modifications that they received from many of those contacts, have always had much influence in the development of new instruments and improvement of production.


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